The MPC samplers have been absolutely instrumental in the wave of modern accessibility to music and music production hardware we’ve seen in recent years.įirstly, the MPC One Plus has expanded storage capacity, giving you far more options for onboard samples, Akai plugins to purchase and install, and projects to store on the unit. Notable users of the MPC range include DJ Shadow, J Dilla, MF DOOM, Mark Ronson, Pete Rock, RJD2, Kanye West, and even John Mayer. They also rolled out a new generation of modern, standalone MPC devices in the form of the MPC Live II, the MPC X, and the synthesizer workstation MPC Key 61. A fast, intuitive workflow, with an easy-to-follow interface, significant sampling power for the time, and accessibility meant that the MPC range became extremely popular.Īfter establishing the range over decades, Akai expanded the MPC series by delving into computer software with MIDI controller options. The acronym MPC stands for “MIDI Production Centre”, and these products quickly came to define a production for a range of electronic music, especially hip-hop instrumentals. This would become the MPC60, which was released in December 1988.Įver since, Akai have used the MPC framework to create new products, like the MPC2000 XL, which really helped the MPC series find a new audience at the turn of the millennium. Akai’s MPC series started out as a collaboration between Japanese electronics company Akai and famed engineer Roger Linn, having designed the LinnDrum and LM-1, which defined the sounds of the ’80s.Īfter an unsuccessful attempt at launching a drum machine and sampler hybrid called the Linn 9000, he and Akai began working together to “re-engineer” the concept behind the 9000 into something brand new.
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